Posted in Book Reviews, Reviews

The Southern Reach Trilogy. Down the Rabbit Hole of Area X, A Review


Recently, I read Area X: The Southern Reach Trilogy by Jeff VanderMeer.

A film, based on the first first book of the trilogy, Annihilation had just been released. The trailer was so intriguing that I decided to read the book.

The Southern Reach Trilogy by Jeff VanderMeer

Annihilation, the first book of VanderMeer’s The Southern Reach Trilogy, is a fascinating read.

Area X includes a stretch of the Florida Coast, an island, a lighthouse and a sinister ecosystem. The Southern Reach is a research facility just outside the “Shimmer.” Focused on determining the nature of the threat posed by Area X, they continue to study it. Area X has existed, unknown to the public for decades.

An opaque barrier encloses Area X and it destroys anything—human or animal—that tries to enter.

Testing the barrier for openings, soldiers drive hundreds of unfortunate rabbits into the mysterious border. Some rabbits are torn apart; others disappear into Area X. Finally a “door” is discovered and a series of teams goes through. Almost no one returns. Those who do make it back have little or no memory of what they encountered.

Annihilation, the first of the trilogy, is a first person narrative. Identified only as the “biologist,”

the narrator is part of a four-member team that enters Area X. She learned of Area X when her soldier husband, whom she had presumed dead, returns to her.  He had taken a top-secret assignment. His long absence meant something had gone wrong and he wasn’t coming back. When he returns, his affect is blank and confused. He is unable to remember what happened. In a matter of weeks, he dies of cancer. She wants to know what happened.  What caused his death?

The biologist is, to say the least, self-contained.

In fact, when it comes to the how much influence her fellow humans have on her, the biologist is self-shrink-wrapped. On the other hand, when it comes to “Nature” and its myriad of habitats, she’s all touchy-feely. A mossy pond with lots of bugs, amphibians, animals and reptiles is her idea of great getaway. For the biologist, Area X, with apologies to all those poor rabbits, is Wonderland and she is Alice. Her account of what she experiences as she explores Area X is compelling and hypnotic.

Like “the biologist,” the other three are identified as their professions—psychologist, anthropologist and surveyor.

Names are verboten. From the beginning, team members are suspicious of each other. Other than where to go, what to do next and where to camp, there is little communication.

Looming in the distance is a lighthouse, thought to be the heart of what was wrong with Area X. At dusk she hears something moaning.

The lush, sinister landscape, crawling with strange insects (velvet ants?), a place where animals seem coldly observant, leads the team to an anomaly, something not detailed on the map, which was derived from satellite views and the limited information provided by survivors of Area X.

The team decides to explore the “anomaly,” a circular stone pit.

Stairs descend into the darkness below where the walls are covered with a strange biblical verse. Tiny plants and moss form the letters. While closely examining the writing on the walls , the biologist is exposed and contaminated. The result is she gains a heightened awareness and becomes sensitive to her surroundings.

Later, she returns to the “anomaly” and descends into the darkness.

What she encounters at the bottom of those stairs propels the reader into a dreamlike landscape of distorted reality and shifting timelines. The biologist’s alienation from her fellow humans makes her the perfect vessel for the strange nectar produced by Area X.

This book is a compelling narrative; I simply couldn’t stop reading, so I didn’t.

Authority is the second book in the “Trilogy,” Unlike Alienation, Authority is written in third person. “Control,” identifies a man, John Rodriguez, an outsider who is called in by the “Director” of the research facility. Control will investigate the reappearance of the “Biologist” and discover the truth of what occurred during the mission.

The tone of Authority is straight out of The X Files.

It’s rife with paranoia and conspiracy theories. We do learn more about the history of Area X and those who were there at the beginning. Like Annihilation, reality and time shifts as “Control” realizes that his name no longer defines him. As he struggles, Area X draws closer.

Like Annihilation and Authority, I found Acceptance engrossing and entertaining.

But at the end of the Acceptance, I had still had more question than answers. From the beginning, when reading Annihilation, I kept trying to define the why, the process that led to Area X. Throughout Acceptance, characters struggle to do the same. Through the characters’ search for answers, VanderMeer offers hints now and then, pieces of a puzzle that fail to define Area X clearly.

Like Lovecraft, VanderMeer’s Area X conveys something that regards us as disposable. It’s sinister and unknowable.

As far as a summer read, if you like science fiction rendered in rich, complex prose with a huge dollop of enigma, I recommend Area X, The Southern Reach Trilogy. But be warned, like a summer tan, long after you finish The Southern Reach Trilogy, the effects of Area X may linger.

Posted in Book Reviews, Reviews, science fiction

Oh, what a tangled web…


Dear people who read my posts:

I will be posting my reviews, past and present,  of horror and science fiction movies, TV series and novels here. 

Adrian Tchaikovsky’s The Children of Time

a Review

***Spoilers***

Adrian Tchaikovsky’s The Children of Time, consists of two narratives that alternate throughout. They share a beginning and come together at the end.I loved this book and highly recommend it to anyone who loves science fiction,I found one story was riveting, the other, less so.

Cover of The Children of Time by Adrian Tchaikovsky
The Children of Time by Adrian Tchaikovsky cover from Amazon book page

The beginning is set in the future, hundreds of years from now. We’re on a top-secret space mission, light-years away from Earth.

The mission is to ensure humanity’s survival. As the ship circles a planet, destined to be a new Eden, Dr. Avrana Kern, a scientist whose ego is the size of a supernova, prepares to complete her mission. Kern heads a team that will“seed” this new world (she secretly calls “Kern World”), delivering a huge cylindrical crate filled with young apes, (a barrel of monkeys). Soon, this package of primates will land on the new world.

Accompanying the apes is a case filled with a genetically engineered virus. The plan is for the apes to settle in their new home while the virus spreads, accelerating their intellect, along with civilization-building social skills. The end result in a few generations will be a new type of human, one not contaminated by the toxic mix of warring ideologies that threatens to destroy humanity. Kern, who seems ever more annoying, calls them “my monkeys.”

Back on Earth, some people want humans to continue to evolve by using genetics as well as developing more powerful and sophisticated AI systems. The other group rejects the whole “super human” and “super Hal” ideas. We should stay our “natural selves” (though that hasn’t seemed to work out so far). There are wars, terrorists, pollution and poverty—all the things that say home sweet home.

Not so fast Dr. Know-it-all, because just as the ape barrel and barrels of other Earth fauna are launched, bombs planted by a crew member, a spy of NUN (Non Ultra Natura!) explode, killing the apes and the entire crew except Dr. Kern, who manages to escape in a sentry pod where a designated crew member (who was the NUN bomber) was to orbit the planet until the accelerated evolution of the apes  signal developing technology and the time to call Earth Central.

Clearly not happy and wishing there had been time to give the traitor a piece of her impressive mind, and seeing her favorite barrel burning, she despairs. Never one to give up, Kern is determined to round up more monkeys and try again. She sends an SOS back to Earth. Knowing that her message will take decades to get there and then decades for help to come, she decides to put herself in cold storage.

But the ship’s computer isn’t happy and peppers Kern with “what-if” questions. Rolling her eyes, Kern uploads her mind. AI Kern can make decisions while keeping her physical self zip-locked until it’s rescue time and she’s defrosted.

Two stories, told in alternating chapters, stem from Kern’s attempt to create a new branch of the  human family tree.

One takes us far into the future, hundred of years after Kern’s message. We’re on the ark ship Gilgamesh which carries what’s left of humanity. Years of war not only destroyed the Earth but all of the settlement planets. People take turns coming out of cold storage to operate and maintain the ship and to look for planets suitable for colonization. During the time out of storage, people continue to age, a good reason to limit these active periods.Attempts with test colonies have ended in disaster. Things are getting testier on the ship. As always, factions develop and there’s fighting.

If this continues, soon, we’ll go the way of the dodos. If humanity is to survive, we must find a new home and oh look, there’s a pretty green planet! Let’s check it out.

The second story is the one that I couldn’t put down. All the main characters are spiders. You see, even though the monkeys didn’t make it, the virus did, as well as a barrel filled with spiders, antsand other creepy crawlies. Barrels intact, small mammals also survive. The virus works its magic not on the mammals, but on the spiders.

Tchaikovsky, who is a zoologist, shows us the evolution of creatures I occasionally find in my shower before sending them to their next life.

Beginning with two spiders that collaborate in bringing down their prey, each spider chapter chronicles the way a spider society might evolve and what challenges it might face as it develops a credible technology. Portia is one of the names given to certain lady spiders that play major roles in each stage of the spider evolution story. Bianca is another. The name of Fabian pops ups up for male spiders. To each Portia, the light moving across the night sky is a god. The light comes from Kern’s Pod.

When the Gilgamesh encounters the spider world, all on board are excited. Then the pod AI, Kern, who has observed signs of intelligent life on her pet project, assumes that somehow, a few of the simians survived. She threatens to destroy the Ark. It mustn’t contaminate “her” monkeys. The sentry pod carries formidable weapons, more sophisticated than the dated technology of the Gilgamesh. The ship leaves, hoping to find another promising planet. They don’t.

Eventually, they come back.

At this point, neither AI Kern nor the Gilgamesh crew knows that the planet has smart spiders.

Along with technology, culture and politics, new social norms develop. Male spiders are smaller than females and considered less intelligent. Led by one of the Fabians, they fight for equal rights.

Progress means it is no longer socially acceptable to eat the father of your children.

Eventually, after centuries of wandering the galaxy and finding no suitable planet to call home, the Gilgamesh returns to Spider World. As they orbit the planet, the ship’s crew is horrified to see what’s looking back at them from the surface. The planet’s current tenants glare back at them. Each face has more than two eyes.

Just before the crew scours the Gilgamesh in search of a big can of Raid, AI Kern readies the big guns.

Although a little unsettled by the results of her planet seeding, Kern is determined to protect her eight-legged “children.” By this time, the spiders have made their first forays into space

and the arachnid versus the humans battle is on.

I loved the outcome of this three-way showdown. It was a resolution I had not already guessed.  It surprised me. 

I did have issues with the Gilgamesh story. I had difficulties with the dialect of the Ark humans. It often sounded like British generic-bad-guy-speak. I realize that my American language filter was my problem, but for me, it was an obstacle in terms of following the narrative and investing in the characters, especially because of the continued war between factions. Also, there was little character development. The brief time the characters were active might partially explain this.

Even the people on board, who aren’t on your friends list on the ship Facebook page, are members of a seriously endangered species. This should have led to some serious survival kumbaya.

Literally in the same boat, these humans never seem to just getalong nor do they learn anything other than ways to keep alive. Finding a new home is not the only priority.

A new attitude would help.

In contrast, the author details the ways spiders might converse and explores aspects of a fictional spider culture.

The wars for dominance between spider colonies and assaults by armies of marauding ants fascinated me.

Using his knowledge of spiders, Tchaikovsky imagines the development of arachnid literature and art.

Religion (the Kern Pod/God) plays an important role in their values plus conflict between belief and non-belief drives much of the story.

Mr. Tchaikovsky’s award-winning Children of Time was worth my time.

 

I may read it again. Spider lover or not, lovers of sci fi should make room on their reading list for

The Children of Time.